Audio circuits
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Audio Power circuits and modules
(*) On my website I object many special
"Audio" components like capacitors, cables and much more. In
electronics we generally do not have components specifically for audio
applications. Sure certain components are better suited for certain locations in
certain audio circuits, but that does not make them "audio components"
For Operational Amplifiers (OpAmps) the cards are somewhat different. Traditionally OpAmps have a very bad reputation in audio applications. That's
mainly because the usual OpAmps have quite some inherent distorsion
(non-linearity) and to little Gain-Bandwidth Product (GBP) to reduce this
distorsion to acceptable levels over the full audio bandwidth.
For over two decennia however (I write this in august 2007) several OpAmps with
extremely low inherent distorsion and a sufficient large GBP are available from
many manufacturers for very comfortable prices.
These OpAmps are generally refered to as "Audio" OpAmps, although they
may also benefit other applications where a very good linearity is required.
Be aware that even an opamp with extremely low
specified distorsion may perform disappointingly when used inapropriate.
A particular risk is the non-linear input capacity which all integrated circuits
have. When the inputs carry a substantial voltage swing and are fed from a high
impedance source this non-linearity may ruin the perfromance. The message is:
Use opamps in inverting mode, with the + input grounded, OR provide a low source
impedance. As an example: A filter built with the the Sallen-Key topology may
show substantial distortion, where the same filter in Multiple Feed back
topology performs perfectly.
Another sneaky thing is associated with opamps allowing "rail to rail"
input voltage, either FET or bipolar. These opamps have a P- and an N- type pair
of input transistors. Somewhere between the + and the - rail the P has to take
over from the N. And these transistor pairs very likely will have different
offset voltages and different input bias / offset currents.
Again the message is: Use them in inverting mode. A low source impedance will
not help in this case.
| Type nr | Description | Speciality | THD (%) |
GBW (MHz) |
Slewrate (V/usec) |
V-Offs (mV) |
I-Bias (uA) |
Noise (nV/Hz½) |
Remark |
| OPA134
/ 2134 / 4134 |
High performance Audio Opamp | Very low THD | 0.00008% (@ 100 Hz) | 8 | 20 | 1 | < 100 pA | 8 | |
| OP275 | Dual J-Fet Audio Opamp | 0.0006 | 9 | 22 | 1 | 0.1 | 6 | ||
| LM4562 | Dual High performance OpAmp | 0.00003% | 55 | 20 | 0.1 | 10nA | 2.7 | ||
| LME49720 | Dual High performance OpAmp | 0.00003% | 55 | 20 | 0.1 | 10nA | 2.7 | ||
| TL074 | Quad J-Fet Opamp | 0.003% | 3 | 13 | 3 | 65 pA | 18 | Spice_model | |
| AD745 | Highspeed BiFet Opamp | Low Noise | 0.0002% | 20 | 12.5 | 0.5 | 0.25 | 2.9 | |
| AD8031-32 | High speed rail-to-rail | V
supl +2.7 to +/- 5V |
0.005% | 80 | 35 | mind rail to rail problem! | 0.45 | 15 | |
| TL080 .. 084 | single
/ dual / quad J-Fet OpAmp |
0.0035 | 1.5 | 13 | 3 | 30 pA | 18 | ||
| LM833 | Dual Audio OpAmp | 0.002% | 15 | 7 | 0.3 | 1uA | 4.5 | App-note | |
Audio Power circuits and modules
| Type nr | Description | Speciality | Power (Watt) |
THD (%) |
GBW (MHz) |
Slewrate (V/usec) |
Remark |
| LM4700 | Power amplifier IC | Low voltage applications | 25 | 0.08 | 7.5 | 18 | |
| SSM2302 | Class D Stereo Audio amplifier | 1W | 0.1% | ||||
| STK4112 | Dual Audio Power Ampl | Thick film hybrid IC | 10 + 10 | 0.4% | |||
| STK086 | Audio Power module | Thick film module | 80 | ||||
| TA714OP | Low output power amplifier | Head
phones Tape head driver |
<1W | 0.5 | |||
| TAS5010 | Digital Amplifier PWM processor | Needs external H-bridges | |||||
| Type nr | Description | Speciality | Sample rate | Remark |
| CS5101 | Dual channel 16 bit A/D converter | Serial output | up to 100 kHz | Use in combination with .. to get S/Pdif |
| PCM2902 | Stereo
codec AD / DA Up to 48 kHz |
USB and SP/Dif interface | up to 48 kHz | |
| STAC9460 | 2 and
6 channel codec Sigma Delta Up to 192 kHz |
I2C interface | up to 96 kHz AD | AD and DA |
| Type nr | Description | Speciality | Sample rate | Remark |
| PCM2902 | Stereo codec AD / DA | USB and SP/Dif interface | up to 48 kHz | |
| STAC9460 | 2 and
6 channel codec Sigma Delta |
I2C interface | up to 192 kHz DA | |
| UDA1350 | Stereo
Dac Sigma-Delta |
L3 interface | up to 48 kHz | |
| UDA1351 | Stereo
Dac Sigma-Delta |
L3 interface | up to 96 kHz | |
| UDA1352 | Stereo
Dac Sigma-Delta |
L3
interface or I2C interface |
up to 96 kHz | |
| Type nr | Description | Speciality | THD (%) |
GBW (MHz) |
Slewrate (V/usec) |
V-Offs (mV) |
I-Bias (uA) |
Noise (nV/Hz½) |
Remark |
| TDA1524A | Stereo tone / volume control | 0.3% | too much distorsion | ||||||
| PGA2311A | Stereo volume control IC |
digitally controlled | 0.0002% | 10 MHz | 256 steps of 0.5 dB | 2.5 uV RMS | See project potmeter | ||
| INA134 | Differential Line Receiver | High Common mode rejection | 0.0005% | >2.5 | 14 | 0.1 | -100 dBu | ||